This is an astonishing and spellbinding book, a triumph of writing and storytelling. But the time could be the present with its drab towns, unemployment and men either too intelligent or too stupid for the lives they are trapped in. The author can describe the American landscape with an honesty and lyricism that echoes the finest ancient literature.
He does this in a unique style that sounds like the voice of a hardened cowboy who understands deeply his horses and his land. Rebecca is a timeless classic in the gothic literature genre. Max de Winter brings his new bride to Manderley, the home he shared with his beautiful first wife Rebecca, before her untimely death widowed him.
When whispers of murder start to be heard, Mrs de Winter starts to doubt her new husband as well as her own sanity. Lucinda Leplastrier is a frizzy-haired heiress who impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. Neither of these coming-of-age stories quite explains how the grown-up Oscar and Lucinda each develop a guilty passion for gambling. Oscar plays the horses while at school, and Lucinda, now an orphaned heiress, finds comfort in a game of cards with an odd collection of acquaintances.
When the two finally meet, on board a ship bound for New South Wales, they are bound by their affinity for risk, their loneliness and their awkwardly blossoming but unexpressed mutual affection. A variety of English tourists are gathered in a small Italian pensione in Florence when Lucy and Charlotte arrive. Both women had asked for and been promised rooms with a view. Upon arrival, they got just the opposite.
Complaining over dinner about this, two men, a father and his son, immediately offer to exchange rooms. This offer breaks most rules of good manners at the time, and the women turn down the kind, well-intentioned offer.
During their time in Florence, the women find themselves confounded and redirected by the honest helpfulness of the Emerson men.
But the familiarity raises dangerous challenges for Lucy, and she flees their company. Where angels fear to tread — E M Forster. When attractive, impulsive English widow Lidia takes a holiday in Italy, she causes a scandal by marrying Gino, a dashing and highly unsuitable Italian twelve years her junior. But when they are confronted by the beauty of Italy and the charm and vitality of the disreputable Gino, they are forced to examine their own narrow lives, and their reactions are emotional, violent and unexpected.
It is full of deep psychological insight and it helps if you have a smattering of the ideas of Freud and Jung. Add to the already explosive mix a drunken and physically abusive father then there is no escape for Paul the Lawrence figure in this highly autobiographical story. After such a brutal upbringing, there is surprisingly, a positive ending, where the young man chooses life over death. We meet year-old Briony Tallis in the summer of , as she attempts to stage a production of her new drama The Trials of Arabella to welcome home her elder, idolised brother Leon.
Soon, secrets emerge that change the lives of everyone present…. The whole grisly thing is caught on camera and shown around the world. The mysterious painkiller which he is given in India opens unexpected vistas in the mind of the unfortunate main character. In a career that spans the second world war, Stevens is oblivious of the real life that goes on around him—oblivious, for instance, of the fact that his aristocrat employer is a Nazi sympathizer. Burden, a successful and cultured East-coast lawyer, is returning to his childhood home in Blackhawk, Nebraska for a visit.
When young Jim Burden was orphaned at age ten, he left his native Virginia to live with his grandparents on their farm, just outside of Blackhawk. At almost the same time that Jim arrived, the Shimerda family settled on their land. Shimerda had argued effectively for a move to America so that the children, especially Ambrosch, the eldest son, would have the chance to make a better life for themselves, with more possibilities of moving up in the social hierarchy and of acquiring wealth.
He was immediately drawn to her warmth and friendliness. Together the two young people worked the land and explored the glorious prairie. And Antonia began to learn English. It is also written before Lawrence became embittered with society, which shows in his later works. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Love is complicated enough in wartime, even when the lovers are on the same side.
And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches. Portrait of a Marriage — Nigel Nicholson. The marriage was that between the two writers, Vita Sackville-West and Harold Nicolson and the portrait is drawn partly by Vita herself in an autobiography which she left behind at her death in and partly by her son, Nigel.
It was one of the happiest and strangest marriages there has ever been. This account of their love story is now a modern classic. Birdsong — Sebastian Faulks. Wrayford convinces her to leave a life of passionless comfort to be at his side, but things do not turn out according to plan. Wraysford is haunted by this doomed affair and carries it with him into the trenches of the war.
Nevertheless, Birdsong is a rewarding read, an unflinching war story and a touching romance. Structured rather akin to a Chinese puzzle or a set of Matrioshka dolls, there are dazzling shifts in genre and voice and the stories leak into each other with incidents and people being passed on like batons in a relay race. In the waning months of the Civil War, a wounded Confederate veteran named Inman gets up from his hospital bed and begins the long journey back to his home in the remote hills of North Carolina.
The object of his affection, meanwhile, has problems of her own. Raised in the rarified air of Charleston society, Ada was brought to the backwoods of Cold Mountain by her father, a preacher who came to the country for his health. It describes in dramatic detail, their unusual meeting, and their lives together and not. Their story is full of up and downs — Clare can never be sure when Henry will disappear next, where to, or when he will come back.
This adds a certain fleetingness and intensity to their relationship, particularily the earlier parts. As the book continues, it adds more flesh and detail to the two central characters; their friends, family, and relationships before and after they met each other. This ensures that the characters are well developed and described — not just reflections of each other.
In The Age of Innocence achieved a double distinction — it won the Pulitzer Prize and it was the first time this prestigious award had been won by a woman author. In one of the most acclaimed and strange novels of recent years, Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewered version of contemporary England. Narrated by Kathy, now 31, Never Let Me Go hauntingly dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School, and with the fate that has always awaited her and her closest friends in the wider world.
A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense of the fragility of life.
The Republic of Gilead offers Offred only one function: If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. Beloved is a dense, complex novel that yields up its secrets one by one. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by.
Khaled Hosseini has succeeded in capturing many important historical and contemporary themes in a way that will make your heart ache again and again. Why will your reaction be so strong? Logan Gonzago Mountstuart, writer, was born in , and died of a heart attack on October 5, , aged From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer.
Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism and abject poverty. Strange Meeting — Susan Hill. John Hilliard, a young subaltern returning to the Western Front after a brief period of sick leave back in England, finds his battalion tragically altered.
But there is David Barton. As yet untouched and unsullied by war, radiating charm and common sense, forever writing long letters to his family. Theirs is a strange meeting and a strange relationship: Regeneration — Pat Barker. Craiglockhart War Hospital, Scotland, , where army psychiatrist William Rivers is treating shell-shocked soldiers.
Under his care are the poets Siegfried Sassoon and Wilfred Owen, as well as mute Billy Prior, who is only able to communicate by means of pencil and paper. The perfect day turns to nightmare, however, when they are involved in freak ballooning accident in which a boy is saved but a man is killed. But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.
Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love with Julia, he discovers that life does not have to be dull and deadening, and awakens to new possibilities. Despite the police helicopters that hover and circle overhead, Winston and Julia begin to question the Party; they are drawn towards conspiracy.
Yet Big Brother will not tolerate dissent — even in the mind. For those with original thoughts they invented Room …. White Teeth — Zadie Smith. Samad marries stroppy Alsana and they have twin sons: Thanks for the advice btw. Follow 5 Original post by The Empire Odyssey Split your essay up into those two themes; one section of your essay will be on memory after death and the other will be loneliness. This forum is supported by: GF never initiates sex. Secondary school, sixth form and FE college Replies: Business and management exams and study help Replies: Grow your Grades Replies: Advice on everyday issues Replies: Personal Statement Advice Replies: Count to a million Part 31 Started by: University of Bristol Replies: Teacher training, teaching and education jobs Replies: Friends, family and work Replies: Million To Zero thread Started by: AMA about hearing voices!
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A Grade English Literature Coursework (A Level) Read Through + Tips South Africa To vote on existing books from the list, beside each book there is a link vote for this book english it will add that book to your votes.
English literature a level coursework help Manipulating numbers and equations: Tips and strategies for basic business and social institutions. Once upon a time, are slow to find out about local bindery services, ask how to write the kind of talking among ourselves, and with purpose.
So if you normally write 1 an intro 2 paras agreeing with the question 3 english arguing against the level 4 a conclusion help could work here as well. Or coursework can find a new structure. A-Level English Literature creative You coursework also look at the specifics of the marking scheme: This shows that you have read widely about the texts and can show specialist english and it allows you to focus on english detail of a text.
Hello, So I'm doing my NEA comparison on some poems of Emily Dickinson and Robert Frost, main theme being death and loneliness. I've analysed the poems an. Most A Level syllabi in the UK, e.g. AQA, require you to write a comparative essay and a critical essay. For the critical essay, symbolism/ metaphor, feminist and Marxist criticism are usually prescribed.